敞口，深弧腹，圈足较浅。碗内满施黑釉，外壁施釉近底，釉质凝厚，乌黑发亮。内壁散落数枚凸起白点，晶莹饱满。黑如漆，白如珠，黑白分明，似鹧鸪羽毛，活泼灵动。 拓展知识点： 宋建盏历来被陶瓷界尊称为“未列入五大名窑却胜过名窑”！鹧鸪盏为点彩窑变鹧鸪斑，极为罕见，瓷坛素有“黑牡丹”之称，据说是宋徽宗豆茶时追求的一种空灵神秘的意境。刊于宋初的《清异录》说:"闽中造盏，花纹鹧鸪斑点，试茶家珍之"。那圆而晶莹的白点犹如鹧鸪胸前羽毛上的白色斑点而得名，也有名“珍珠盏”之称谓，犹如一粒粒晶莹剔透的珍珠洒落在乌黑透亮的建盏中。 建盏斑纹是在还原气氛中通过窑内1300度以上的高温焙烧而自然形成的，是建窑的杰出成就。由于这类结晶釉在窑炉高温中易于出现变化，难以控制，加上氧化铁含量高的坯体难以承受高温变化，窑烧制一件外观没有缺陷又具有兔毫或油滴等斑纹的建盏是很困难的，即使运用现代科技手段，其成品几率也非常低，鹧鸪斑更是难中之难。

Jian kiln from Fujian province has always been honored as “not included in the top five kilns but better” in the ceramics field. Stippling accidental coloring partridge spot is very rare – the spots are naturally formed in 1300 degree firing process. It was originally quoted in “Qing Yi Lu” from early Song dynasty. The name came from the round white spots looking like the feather pattern on the partridge chest. It is almost impossible to achieve even with modern technology.