陈设器，瓶呈扁六方形，口外撇，直颈内弧，折肩，腹微鼓，腹下渐收为阶形圈足。口沿描金。颈部对称饰贯耳。通体以柠檬黄釉为地，上绘青花纹饰。口沿部绘回字丝纹。颈部为六组西洋特色折枝花纹饰，颈部以大幅度青花海水波浪纹突出。贯耳以折枝朵花纹装饰。肩腹部主题纹饰青花绘缠枝莲纹。线条轻蔓。枝柔叶茂。纹饰繁密精美，层次清晰。近足处亦绘六组折枝花绘纹。与颈部交相呼应。瓶内部和底部施蓝釉。底足内青花书“大清乾隆年制”六字篆书。黄釉色泽匀净明亮。娇嫩怡人，青花发色青翠。体现了乾隆宫廷之技术水准，又颇得永宣青花之神韵。 拓展知识点： 黄地青花始创于明宣德明期，是低温黄釉与青花工艺相结合的产物。其制作方法为在已烧成的青花器上，在白釉处以低温黄釉填满，复入彩炉经850度－900度低温烘烤。其状其貌，犹如端庄秀美的青花瓷黄袍加身，典雅之外，平添雍容之感，尊贵无比。清《南窑笔记》载曰“宣德有青花填黄地者”即此工艺。以后明各朝均有烧造，以成化、弘治两朝烧制量为最大、清代康熙、雍正、乾隆朝沿袭烧制黄地青花，器形更加丰富，官窑青花器中尤以青花黄彩最为名贵。《陶雅》卷上有评：“黄地青花，雍正窑之所重视者，匪独盘然也，大瓶亦有之。”

Decorative Piece. Flat hexagonal shape, flaring mouth rim, long neck, angular shoulder, slightly round body, tapering towards foot ring. The neck decorated with two pierced handles. Under the mouth rim painted with a band of fret pattern, and interlocking flowers on the body, neck painted with sea waves pattern, all sides of the body painted with peony and lotuses. A six-character Qianlong reign mark was written in seal script on the base.